theonlynewsiknow: April 2013

Suzy Menkes' most recent article on fashion bloggers has had some pretty nasty responses from the bloggers in the industry. Menkes goes to say that fashion weeks have focused less on the talents of the designers and more on the people who just seem to have an opinion about it, who dress in outrageous outfits, call it fashion and seek attention for it. read the article and tell me what you think, do bloggers really have a major influence on fashion? and are they really famous for just being famous?

THE CIRCUS OF FASHIONWe were once described as “black crows” — us fashion folk gathered outside an abandoned, crumbling downtown building in a uniform of Comme des Garçons or Yohji Yamamoto. “Whose funeral is it?” passers-by would whisper with a mix of hushed caring and ghoulish inquiry, as we lined up for the hip, underground presentations back in the 1990s.Today, the people outside fashion shows are more like peacocks than crows. They pose and preen, in their multipatterned dresses, spidery legs balanced on club-sandwich platform shoes, or in thigh-high boots under sculptured coats blooming with flat flowers.There is likely to be a public stir when a group of young Japanese women spot their idol on parade: the Italian clothes peg Anna Dello Russo. Tall, slim, with a toned and tanned body, the designer and fashion editor is a walking display for designer goods: The wider the belt, the shorter and puffier the skirt, the more outré the shoes, the better. The crowd around her tweets madly: Who is she wearing? Has she changed her outfit since the last show? When will she wear her own H&M collection? Who gave her those mile-high shoes?!The fuss around the shows now seems as important as what goes on inside the carefully guarded tents. It is as difficult to get in as it always was, when passionate fashion devotees used to appear stealthily from every corner hoping to sneak in to a Jean Paul Gaultier collection in the 1980s. But the difference is that now the action is outside the show, as a figure in a velvet shoulder cape and shorts struts his stuff, competing for attention with a woman in a big-sleeved blouse and supertight pants.You can hardly get up the steps at Lincoln Center, in New York, or walk along the Tuileries Garden path in Paris because of all the photographers snapping at the poseurs. Cameras point as wildly at their prey as those original paparazzi in Fellini’s “La Dolce Vita.” But now subjects are ready and willing to be objects, not so much hunted down by the paparazzi as gagging for their attention.Ah, fame! Or, more accurately in the fashion world, the celebrity circus of people who are famous for being famous. They are known mainly by their Facebook pages, their blogs and the fact that the street photographer Scott Schuman has immortalized them on his Sartorialist Web site. This photographer of “real people” has spawned legions of imitators, just as the editors who dress for attention are now challenged by bloggers who dress for attention.Having lived through the era of punk and those underground clubs in London’s East End, where the individuality and imagination of the outfits were fascinating, I can’t help feeling how different things were when cool kids loved to dress up for one another — or maybe just for themselves.There is a genuine difference between the stylish and the showoffs — and that is the current dilemma. If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.Now that women and men (think of the über-stylish Filipino blogger Bryanboy, whose real name is Bryan Grey Yambao) are used to promote the brands that have been wily enough to align themselves with people power, even those with so-called street style have lost their individuality.Smartphones are so fabulous in so many ways that it seems daft to be nostalgic about the days when an image did not go round the world in a nanosecond. In the mid-1990s, when I stopped having to run from the shows to the film developing lab and first saw digital images, I blessed technology and was convinced that my working life was changing for the better. I had no inkling of the role that images would play, pitting fashion’s professionals — looking at shows for their own purposes of buying or reporting — against an online judge and jury. While fashion pros tend to have personal agendas related to their work, bloggers start a critical conversation that can spread virally.Many of these changes have been exhilarating. It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams — although I am leery about the idea that anyone can be a critic, passing judgment after seeing a show (from the front only and in distorted color) on Style.com or NowFashion. But two things have worked to turn fashion shows into a zoo: the cattle market of showoff people waiting to be chosen or rejected by the photographers, and the way that smart brands, in an attempt to claw back control lost to multimedia, have come in on the act. Marc Jacobs was the first designer to sense the power of multimedia. When he named a bag after Bryanboy in 2008, he made the blogger’s name, and turned on an apparently unending shower of designer gifts, which are warmly welcomed at bryanboy.com.Many bloggers are — or were — perceptive and succinct in their comments. But with the aim now to receive trophy gifts and paid-for trips to the next round of shows, only the rarest of bloggers could be seen as a critic in its original meaning of a visual and cultural arbiter.Adhering to the time-honored journalistic rule that reporters don’t take gifts (read: bribes), I am stunned at the open way bloggers announce which designer has given them what. There is something ridiculous about the self-aggrandizement of some online arbiters who go against the mantra that I was taught in my earliest days as a fashion journalist: “It isn’t good because you like it; you like it because it’s good.” Slim chance of that idea catching on among the fashion bloggers. Whether it is the sharp Susie Bubble or the bright Tavi Gevinson, judging fashion has become all about me: Look at me wearing the dress! Look at these shoes I have found! Look at me loving this outfit in 15 different images!Fashion has to some extent become mob rule — or, at least, a survival of the most popular in a melee of crowdsourcing. The original “Project Runway,” a television show that chose participants with at least a basic knowledge of fashion, has been followed worldwide by “American Idol”-style initiatives, in which a public vote selects the fashion winner. Who needs to graduate from Central Saint Martins in London or New York’s Fashion Institute of Technology when a homemade outfit can go viral on YouTube with millions of hits?Playing King Canute and trying to hold back the wave of digital fashion stuff is doomed for failure. But something has been lost in a world where the survival of the gaudiest is a new kind of dress parade. Perhaps the perfect answer would be to let the public preening go on out front, while the show moves, stealthily, to a different and secret venue, with the audience just a group of dedicated pros — dressed head to toe in black, of course.Article by Suzy Menkes

"Once I knew I wanted to do fashion I just did it — even though I wasn't making any money at it and I think that if you do love fashion and you want to go into fashion, you have to be immensely self-directed and just do it. I think that's the main thing."

Valerie Steele (Ph.D., Yale University) is currently the Director and Chief Curator of The Museum at the Fashion Institute of Technology (MFIT). She has curated more than 20 exhibitions in the past ten years, her most notable being; Gothic: Dark Glamour; Love & War: The Weaponized Woman; The Corset: Fashioning the Body; London Fashion; and Femme Fatale: Fashion in Fin-de-Siècle Paris. She is the Editor-in-chief of Fashion Theory: The Journal of Dress, Body & Culture, which she founded in 1997. Her books include anything from shoes to the intersection of Eastern and Western modes of dressing.

She was editor-in-chief of the three-volume Encyclopedia of Clothing and Fashion. Her latest book was Isabel Toledo: Fashion from the Inside Out, which she co-authored with Patricia Mears. This is incredible as she has literally, LITERALLY defined fashion and is widely known for the first Ph.D in fashion.

Steele says she was "completely unemployable" for years after she graduated and this is a major eye opener because the fashion industry is a 9 billion dollar industry. As much this industry is still growing, it’s sad that it has to be a struggle to showcase our talents or anything that we love, have a passion for.

The Washington Post described Dr. Steele as one of “fashion’s brainiest women.” as well as being listed in the New York Daily News “Fashion’s 50 Most Powerful.”

in an interview with Fashionologie, Steele stated that her upcoming exhibition for this year is called Queer Style: From the Closet to the Catwalk, which will focus on gay designers and their influence in the industry."I think that's kind of one of the most important and fascinating shows that I've ever worked on because it makes you look at the whole history of modern fashion from a new angle," Steele said. "Everybody knows that there's lots of gay people in fashion, and there have been lots of gay designers: Dior, Saint Laurent, Versace etc. But nobody's ever really thought consciously to put the gayness back into fashion history and say, 'Why are there so many gay people in fashion?' and 'Is there a gay aesthetic?' and 'What have been the influences of having so many gay people in fashion?'

Dr Steele is such an inspiration because regardless of her struggle of being unemployable for many years she still stuck by what she wanted to do. Fashion is what she loves and never chose another direction for money is this is why she is so recognised for her works today. She has made people realise that fashion is not just about clothes or the runway, there is a cultural history and certain aspects of fashion have become a revolution.

She has certainly lived by her key to being successful in the business of fashion: to keep at it.

theonlynewsiknow

Monday, 15 April 2013

best looks from SAFW

The Circus of Fashion by Suzy Menkes

FINALLY!! Topshop/Topman comes to CT

Sunday, 14 April 2013

Valerie Steele: First Ph.D in Fashion